Tag Archives: AC/DC

New Year’s Eve 2016 Beacon Theater NYC-Where’s My Mule?

https://i1.wp.com/mulearmy.net/wp-content/uploads/2017/01/NYE-2016-17.png

New Year’s Eve at the Beacon Theater in New York City is a New Years event that flies under a lot of people’s radar, but is one of the strongest traditions for Mule heads for their ‘gather from everywhere’ end of the year party.  And what a year it was-it seemed like about 10% of all rock stars departed the planet this last year. Starting with Lemmy’s departure right after XMas 2015, opening your computer to the news page was a hazardous adventure for music lovers in 2016. A who’s who of rock legends passed away in 2016: 2/3 of ELP with Keith Emerson and Greg Lake (perhaps leaving the official band now as just “and Palmer”), David Bowie, Prince, Paul Kantner, Leon Russell, Leonard Cohen, Glen Frey (perhaps even George Michael might get a mention as a ‘rock star’).  Even famous sidemen shuffled off in droves: Buffin Griffin (Mott the Hoople drummer), Scotty Moore (pretty much created rock lead guitar as Elvis Presley’s  guitarist from 1954-1968), Bernie Worrell (keyboardist for not only all the Funkadelic and Parliament recordings, but keys on the essential Talking Heads live stuff as well), Rob Wasserman (acoustic bass player and sideman with Jerry Garcia but more well know for his long stint in Bob Weir’s Rat Dog). And this was only a partial list of the departed. While the usually cagey Mule always left the fans guessing until a couple of weeks before the show as to the guests and the theme, this year they stayed tight lipped right up until show time. An examination of the above logo did seem to contain some hints-the Bowie style lightning bolt on the ‘2’, the Prince-esque swirl on the ‘1’. A top hat and what appears to be a flashlight seemed to signify Leon Russell, and perhaps the flashlight was Bernie Worrell? Beyond that- nobody was talking.

The hints given were spot on, as the set list reveals:

 

New York, NY
2016/12/31

SET ONE
01 New Year’s Eve [a]
02 Larger Than Life
03 Thorazine Shuffle >
04 Funny Little Tragedy* >
05 Thorazine Shuffle (Reprise)
06 Child Of The Earth
07 Which Way Do We Run >
08 Brighter Days
09 Birth Of The Mule** [b]
10 Sco-Mule*** [b]

SET TWO
01 Maggot Brain**** > [c,d] Funkadelic cover
02 Flash Light [c,d,e] FTP Parliament cover
03 Red Hot Mama [c,d,e] FTP Funkadelic cover
04 Tight Rope [c,d,e] FTP Leon Russell cover
05 Delta Lady [c,d,e] Leon Russell cover
06 Take It Easy [e] FTP Eagles cover
07 Already Gone [e] FTP Eagles cover
08 100 Days, 100 Nights [d,e] FTP Sharon Jones and the Dap Kings cover
09 Midnight Rider [c,d,e] Allman Brothers cover/Sharon Jones
10 Lucky Man [d,e] FTP Emerson Lake and Palmer cover
11 Hallelujah [f] Leonard Cohen cover
12 Bird On A Wire [d,e] Leonard Cohen cover
13 Angel Band > [e]
14 Mama Tried [e] FTP Merle Haggard cover
15 Shining Star > [c,d,e] FTP Earth Wind and Fire cover
16 Getaway [c,d,e] FTP Earth Wind and Fire cover
17 Descending [c] Black Crowes cover (keyboardist Eddie Harsch died in November)
18 All The Young Dudes [d,e,g] FTP Mott the Hoople/David Bowie cover
19 Rebel Rebel [c,g] FTP David Bowie cover
20 Kiss [c,d,e,g] FTP Prince cover
21 Let’s Go Crazy [c,d,e,g] FTP Prince cover
Encore
22 Encore Call
23 Purple Rain > [c,d,e,g,h] FTP Prince cover
24 All The Young Dudes (Reprise) [c,d,e,g,h] FTP Mott/Bowie

* w/ Message In A Bottle lyrics
** w/ Hottentot tease
*** w/ Smoke on the Water tease
**** w/ Auld Lang Syne theme
FTP = First Time Played
[a] Warren Solo
[b] Oz Noy, Guitar
[c] Marc Quiñones, Precussion
[d] Chronic Horns
[e] Jasmine Muhammad & The Sweet ’16 Singers
[f] w/o Matt Abts & Jorgen Carlsson
[g] Jimmy Vivino, Guitar
[h] Marcus King, Guitar

Note: Chronic Horns: Pam Fleming, Jenny Hill & Buford O’Sullivan; Jasmine Muhammad & the Sweet ’16 Singers (Tamara Jade, Tesia Kwarteng).

Let’s tally that up:

Funkadelic/Parliament-3

Prince- 3

Earth Wind and Fire-2

Bowie (and Mott the Hoople) -2

Eagles-2

Leon Russell-2

Leonard Cohen-2

Sharon Jones and the Dap Kings-2 (if you count Midnight Rider, which she covered)

ELP-1

Black Crowes (their keyboardist Eddie Harsch died in November)-1

Merle Haggard-1

fullsizerender-2
card given out at doors
fullsizerender-3
the list of the fallen-with disclaimer

Set One started sparsely with Warren’s solo spot “New Year’s Eve”, one of many songs debuted by Mule this night. The set crackled along with some additional energy from guest guitarist Oz, culminating in a fairly hard charging one two punch of Birth of a Mule -> Sco-Mule. Set one ended on a real high point. The big question was what would the second set bring?

Maggot Brain was mind melting, with an extra ‘fuck 2016′ tape loop playing under Funkadelic’s spoken word intro, as Warren’s guitar poured liquid fire lines tantalizingly slowly through the theater. Then….things changed. With “Flashlight, Mule took off on a gospel/r&b/funk jag for most of the rest of the night.  The  beautiful a capella Hallelujah from Leonard Cohen has been a part of their set from time to time, and though expected, was powerful in Warren’s solo delivery, and a break in the big band vibe. But overall looking at the set, that’s a mighty funk/r&b heavy set for a year that lost some mighty big rockers. Keeping in mind Mule’s psychedelic jam roots as one of the big three of sixties psychedelic bands who could really stretch it out: Jefferson Airplane, Grateful Dead, Allman Brothers-one wonders where the fuck was any mention of Paul Kantner, leader of Jefferson Airplane?  Any bone to throw to Garcia and Weir sideman Rob Wasserman? Instead we get TWO Eagles songs? (overheard at the theater as they entered their second consecutive Eagles tune “I’m going to have to go backstage to speak with Warren ’bout this shit…”). A double shot of Earth Wind and Fire in tribute to Maurice White was a slightly odd choice, as was a double shot from the relatively unknown Sharon Jones. Where was ‘Young Man Blues’, a song they’ve done before and made famous by the Who, for Mose Allison? At this point I was quietly hoping for a short Motorhead cover to set things right, but no. Although the six horns/back up singers and one to two guest guitarists per song gave an overly busy sameiness to the arrangements, the crowd was fairly delirious throughout the whole thing.   I thought it was a definite improvement over the AC/DC flub two years ago, but a Mule was a bit penned up as a funk/r & b outfit.

Maybe it was a matter of ‘too much frosting isn’t always the best thing for the cake’ syndrome. Some of the specialness of Mule is the interplay of the quartet, with large areas left for Warren to…testify via electric guitar. When there’s ten to twelve people onstage at all times, something has to give to keep things from degenerating into undifferentiated musical mayhem. And hey, I like frosting….

 

 

And yet…

Like the 2014 New Years show as AC/DC, it felt amiss somehow. Certainly not as adrift as that show was, as chronicled here, where Warren had painted himself into an artistic corner pretty quickly, and was reduced to an overly talented AC/DC tribute band with no room to jam out songs, this show was quite different: a possible array of amazing tunes to choose from with the theme of ‘recently departed’ as the unspoken thread holding the night together. (btw, where was the Star Wars tease, Warren?)

Mule New Year’s shows can pull out some of the most amazing music in their rather large repertoire, and can be known for some Page Six worthy name dropping of guest stars. Robbie Krieger sat in for a whole Doors New Years set in 2013, Corky Laing from Mountain in 2010, Toots Hibbert from Toots and the Maytals, Gregg Allman, Bill Evans from Miles Davis’s 80’s band, David Hidalgo from Los Lobos, Myles Kennedy as lead singer in 2014 (the last singer for Led Zeppelin after Plant left in 2007), Ron Holloway (who’d played with Dizzy Gillespie, Sonny Rollins and Freddie Hubbard)….. if ever there was a year that was ripe for some star power, this was it. With the list of departed bands to pick from (anyone from Prince and the Revolution, any of Bowie’s bands, anyone from Funkadelic, Joe Walsh from the Eagles, someone from Jefferson Airplane (or Starship)..hell Carl Palmer fercrissakes? Instead we get fairly under the radar session men: Jimmy Vivino from the Tonight Show Band, Oz Noy (an Israeli guitarist who got his US chops with Will Lee and Anton Fig of David Letterman’s Late Show band), Marcus King (guitarist who debuted last year on Warren Haynes’ own label) and Marc Quinones from the latter day Allman Brothers. Huh? Talk show band guys in a year of all star departures? This wasn’t exactly the star power one might expect for a show honoring so many departed artists. No offense to the above guests, but if the statement at the end of 2016 was, to paraphrase Dylan Thomas-‘Rage against the dying light’ (of original old school rock n roll that is,) then it left one wishing a bit more work had been done on gathering some surprise guests to generate a little more musical rage.

Overall, not a noble failure, but very close. I’d had a blast, Mule had shown a side that we rarely get to see, but somehow I felt a little empty at the end. In a year of rock departures, Mule chose to pull a gospel/funk/R & B trip out.  I know it’s not easy to get musicians to fly in from across the world to hitch their wagon to someone else’s horse, but on the way out a pontificating drunk guy summed up what many were thinking  about too much gospel and the lack of full on rock power in the show, yelling loudly to no one in particular:

“Where’s My Mule?”

As the tape for Maggot Brain said:  “Fuck 2016”. Let’s hope for a better year this year folks. Rock on-carwreck.

 

AC/DC Bag Half Full-Gov’t Mule New Year’s at the Beacon 2014

mulenye2014_beacon
mule091231_01
Warren Haynes is a guy that is known for taking chances, and somehow never stumbles. Mule, Lesh, Allmans, the Dead…the list goes on for projects he has either jump started or revitalized. As for his now main project, Gov’t Mule, his work is impressive. With over 300 songs in their working repertoire, and a working knowledge of cover tunes that is inexhaustible, they are able to pull out some obscure chestnuts to surprise a crowd. But it is Halloween and New Year’s Eve that are considered the ‘main event’. Both evenings are usually dedicated to full on tributes: Pink Floyd, the Rolling Stones, Joe Cocker, the Doors….this is only a sampling. Last year’s New Year’s show at the Beacon Theater in New York City featured Robbie Krieger on guitar, as Warren Haynes and company plowed though a full 90 minutes Doors set after midnight.
This year’s theme was announced in October as an AC/DC tribute. Some early rumors had Slash as the ‘special guest'(Slash’s vocalist Myles Kennedy as Bon Scott was the actual guest, also known as Led Zeppelin’s final vocalist in the aborted 2009 Zep reunion) Initial excitement was met with some lingering doubts. Even Angus Young would admit that he is not a really exploratory guitar wizard. Would this be a good template for Gov’t Mule to successfully launch into hyperspace?
myles-govt-mule-happy-new-year-2
The answer? Well not really. Although things were fairly raucous as the band hurtled into Highway to Hell, you could sense some frustration building in the crowd. Myles Kennedy took over lead vocals for the 18 song second set. It was strange to see Gov’t Mule and not see Warren singing for this long. When in the past they have had special guests at a show like this, they were usually musical sidemen, not frontmen. Vocalists were usually given a turn at a song or two. To have someone take over the stage for this long? Weird. The other problem was alluded to earlier. AC/DC songs are not really suited to stretching out musically. Longish solos don’t really feel right, nor are they really vehicles for jumping off to deeper jamming. This is what some in the crowd noticed. Warren, the focus of the band, was relegated for almost two hours to a sideman position. He had been painted into a corner musically from the first notes, and it was very difficult for him to inject his intergalactic guitar extrapolations into these concise tunes. It almost felt half way through the second set as if I were watching a top tier AC/DC cover band, and at 90 bucks a pop for tickets–the most expensive cover band ever. Others around me echoed similar sentiments. Warren looked a bit lost on the sidelines as if even he was starting to wonder if this had been really thought through. Not one of the better Mule shows I have seen, a noble failure if you will. Other things noticed: for the first time in memory, there were no balloons dropped from the ceiling at midnight. Also, the New Years tshirt pictured above as a poster oddly sold out on 12/30 during the show, meaning that everyone who attended on the 31st had no chance to buy a New Years shirt. Some in the crowd were puzzled by this lack of preparation.
Crowd-shot-Govt-Mule-Beacon_Photo-Dino-Perrucci
Before we finish, I want to be clear: the purpose of this article is not to take pot shots at Warren Haynes for taking chances, on the contrary, this is to point out and thank him for being one of the few out there willing to take some really big chances. In this age of completely scripted and meticulously rehearsed performances that are getting pretty far from what a real rock show once was: getting out there with an idea and seeing what happens–an event like this is pretty rare. Sometimes you fly, sometimes you stumble, but the point is you tried something different and went for it. More folks in rock music need to think this way-what was once a raison d’être is now becoming a dying breed. As Ian Anderson observed decades ago, this business is a Crazed Institution. Take chances, stay crazy and rock on in 2015 folks!