AC/DC Bag Half Full-Gov’t Mule New Year’s at the Beacon 2014

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Warren Haynes is a guy that is known for taking chances, and somehow never stumbles. Mule, Lesh, Allmans, the Dead…the list goes on for projects he has either jump started or revitalized. As for his now main project, Gov’t Mule, his work is impressive. With over 300 songs in their working repertoire, and a working knowledge of cover tunes that is inexhaustible, they are able to pull out some obscure chestnuts to surprise a crowd. But it is Halloween and New Year’s Eve that are considered the ‘main event’. Both evenings are usually dedicated to full on tributes: Pink Floyd, the Rolling Stones, Joe Cocker, the Doors….this is only a sampling. Last year’s New Year’s show at the Beacon Theater in New York City featured Robbie Krieger on guitar, as Warren Haynes and company plowed though a full 90 minutes Doors set after midnight.
This year’s theme was announced in October as an AC/DC tribute. Some early rumors had Slash as the ‘special guest'(Slash’s vocalist Myles Kennedy as Bon Scott was the actual guest, also known as Led Zeppelin’s final vocalist in the aborted 2009 Zep reunion) Initial excitement was met with some lingering doubts. Even Angus Young would admit that he is not a really exploratory guitar wizard. Would this be a good template for Gov’t Mule to successfully launch into hyperspace?
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The answer? Well not really. Although things were fairly raucous as the band hurtled into Highway to Hell, you could sense some frustration building in the crowd. Myles Kennedy took over lead vocals for the 18 song second set. It was strange to see Gov’t Mule and not see Warren singing for this long. When in the past they have had special guests at a show like this, they were usually musical sidemen, not frontmen. Vocalists were usually given a turn at a song or two. To have someone take over the stage for this long? Weird. The other problem was alluded to earlier. AC/DC songs are not really suited to stretching out musically. Longish solos don’t really feel right, nor are they really vehicles for jumping off to deeper jamming. This is what some in the crowd noticed. Warren, the focus of the band, was relegated for almost two hours to a sideman position. He had been painted into a corner musically from the first notes, and it was very difficult for him to inject his intergalactic guitar extrapolations into these concise tunes. It almost felt half way through the second set as if I were watching a top tier AC/DC cover band, and at 90 bucks a pop for tickets–the most expensive cover band ever. Others around me echoed similar sentiments. Warren looked a bit lost on the sidelines as if even he was starting to wonder if this had been really thought through. Not one of the better Mule shows I have seen, a noble failure if you will. Other things noticed: for the first time in memory, there were no balloons dropped from the ceiling at midnight. Also, the New Years tshirt pictured above as a poster oddly sold out on 12/30 during the show, meaning that everyone who attended on the 31st had no chance to buy a New Years shirt. Some in the crowd were puzzled by this lack of preparation.
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Before we finish, I want to be clear: the purpose of this article is not to take pot shots at Warren Haynes for taking chances, on the contrary, this is to point out and thank him for being one of the few out there willing to take some really big chances. In this age of completely scripted and meticulously rehearsed performances that are getting pretty far from what a real rock show once was: getting out there with an idea and seeing what happens–an event like this is pretty rare. Sometimes you fly, sometimes you stumble, but the point is you tried something different and went for it. More folks in rock music need to think this way-what was once a raison d’être is now becoming a dying breed. As Ian Anderson observed decades ago, this business is a Crazed Institution. Take chances, stay crazy and rock on in 2015 folks!

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